The Last Face – Full Movie| FREE DOWNLOAD| TORRENT| 3D 1080p| HD 1080p| x264| WEB-DL| DD5.1| H264| MP4| 720p| DVD| Bluray. The Last Face. May 25, 2017 - A director (Charlize Theron) of an international aid agency in Africa meets a relief aid doctor (Javier Bardem) amidst a political/social revolution,.
“The Last Face” shines a light on the plight of war-torn lands like Liberia and South Sudan, a topic most moviegoers probably don’t want to think about. It’s too far away, too daunting, too unpleasant. But Penn ultimately fetishizes such suffering, making it self-consciously beautiful through hand-held camerawork, off-kilter angles, extreme close-ups of eyes and fingers and glittering lens flares. Meanwhile, the Africans themselves fade into the background, rendered less as individuals than types: proud fathers, strong mothers and adorable children, all photogenic.
Because the real story at the film’s center is a romance between gorgeous people with big hearts and a taste for danger: Charlize Theron as the determined director of an international aid agency and Javier Bardem as a roguish, globetrotting doctor. Erin Dignam’s script hops around in time and place, tracing the couple’s star-crossed courtship over the course of a decade and various countries. But while Theron is saddled with breathy narration spelling out how she feels about everything, all the time (“Before I met Miguel, I was an idea I had. I didn’t really exist.”), the film as a whole doesn’t seem particularly interested in examining why this region of the world is ravaged.
Instead, we get a close-up of Bardem’s Dr. Miguel Leon washing his filthy feet in a sink, which dissolves into a slow-motion shot of a helicopter flying over a devastated refugee camp. As Dr. Wren Petersen, Theron appears at the film’s start on stage at a glitzy charity dinner, appealing to wealthy donors in a slinky black dress. Then the film cuts abruptly to the events of 10 days earlier: gun fighting and carnage, with a blood-soaked Miguel tending to victims who were caught in the crossfire. Despite Wren’s frequent, hand-holding voiceover, the story’s many temporal leaps often result in confusion.
Eventually, we see how the two fell in love back in 2003, flirting with each other at a Sierra Leone refugee camp with giggly tooth brushing serving as foreplay. “Are you a playboy, Miguel?” Wren asks playfully. And then it’s back to the artful squalor.
But the core of “The Last Face” is, ostensibly, a mystery: What happened to this couple who fell in love quickly, passionately and ill-advisedly? What tore them apart, leaving Wren lying in bed with depression for three days (but still looking stylishly tousled)? And, more crucially, can you bring yourself to care?
The rift may have something to do with the fact that Wren used to toil away in the trenches and is now buttoned-down in the boardroom. “Saving lives is a serious mission,” she tells members of the United Nations Human Rights Council in Geneva—and us, as well, as if we didn’t know.
To reinforce that point, Penn’s imagery can indeed be harrowing: a pile of bloody boys’ bodies with flies buzzing all about them or a woman who lost her legs at the knees, lying in a cot, asking whether her daughter survived. But even during the film’s most stressful moments—including, most awkwardly, an emergency C-section in the middle of nowhere in the middle of the night—“The Last Face” finds a way to wedge in a sense of romance. And a potential subplot involving Adele Exarchopoulos as a longtime aid worker whose history is entwined with both Wren’s and Miguel’s feels half-baked.
Ultimately, at the end of this overlong slog, “The Last Face” returns to the fancy fundraiser where it began. Wren tearfully tells the well-heeled crowd about refugees, “They are us,” and their dreams are as fundamental as breathing air. Then she strides off stage to the feel-good strains of “Peace Train.”
In this moment, Theron reminds us who she is: a glamorous movie star. It's one final, glaring example of the film's unfortunate penchant for style over substance.
Movie Information
Credits
- directorSean Penn
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- Amazon On-Demand | Blu-ray | DVD
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Song Credits
- 'MAKAMBO'
Written & Performed by Geoffrey Oryema
Courtesy of Real World Records Ltd. - 'OTHERSIDE'
Written by Anthony Kiedis, Michael Balzary, John Frusciante, Chad Smith
Performed by Red Hot Chili Peppers
Courtesy of Warner Bros. Records Inc.
By arrangement with Warner Music Group Film & TV Licensing - 'SCAR TISSUE'
Written by Anthony Kiedis, Michael Balzary, John Frusciante, Chad Smith
Performed by Red Hot Chili Peppers
Courtesy of Warner Bros. Records Inc.
By arrangement with Warner Music Group Film & TV Licensing - 'IL PLEUT DANS MA CHAMBRE'
Performed by Charles Trenet
Courtesy of Parlophone/Warner Music France
By arrangement with Warner Music Group Film & TV Licensing - OTHERSIDE'
Written by Anthony Kiedis, Michael Balzary, John Frusciante, Chad Smith
Performed by The Vitamin String Quartet
Courtesy of CMH Label Group - 'PEACE TRAIN'
Written by Yusuf Islam
Performed by Cat Stevens
Courtesy of Island Records Ltd.
Under license from Universal Music Enterprises - 'IT'S YOU I LOVE'
Written by Jay Robinson and Samuel Gibson
Performed by Mickey & Sylvia
Courtesy of RCA Records
By Arrangement with Sony Music Licensing - 'UNDER THE BRIDGE'
Written by Anthony Kiedis, Michael Balzary, John Frusciante, Chad Smith
Performed by Red Hot Chili Peppers
Courtesy of Warner Bros. Records Inc.
By arrangement with Warner Music Group Film & TV Licensing - 'TAJABONE'
Written and performed by Ismael Lo
Courtesy of Capitol Music France
Under license from Universal Music Enterprises - 'EXILE'
Written & Performed by Geoffrey Oryema
Courtesy of Real World Records Ltd. - 'RAZE IT UP'
Written by Fred Scruggs, Kirk Jones, Tyrone Taylor, Keith Horne
Performed by Onyx
Courtesy of Def Jam Recordings
Under license from Universal Music Enterprises - 'AIN'T NO REASON'
Written and performed by Brett Dennen
Courtesy of Dualtone Records
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