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The travel bureau of St. Vincent -- the island soca singer Kevin Lyttle hails from -- claims their paradise has 'More Fun! More Flair! More Fantasy!' Same could be said of Kevin Lyttle's debut; just put a couple extra exclamation points after 'Fantasy.' Lyttle's breezy and dreamy voice supplies the flair, lilting lightly over a musical background that is as sparkling as it is limited. That's the biggest mistake the debut makes; it takes five tracks to get to anything that doesn't try to repeat the big hit single, 'Turn Me On,' and there's not enough variety to give the singer a full-fledged personality. His version of Terence Trent D'Arby's 'Sign Your Name' is a welcome breather from all the seduction, as is the jazzy and semi-organic 'So High.' Wish there was more of it, but there's a great soundtrack to a perfect-weather, sensual vacation in here if you program the tracks right. 'Turn Me On' is such a perfect grind jam it's no surprise the album tries to recapture it. It almost does with 'Never Wanna Make U Cry,' 'I Got It,' and 'My Lady,' but tracks like the Ricky Martin wannabe 'Mama Mia' and the goes-nowhere 'Ya Kiss' don't deserve their company. Luckily, 13 tracks means you can skip the filler and still be left with a decent amount of good material. Lyttle's been introduced as soca to the core, but his version is heavily influenced by pillow-talk R&B, and don't be surprised when he drops a dancehall riddim. This lovers-soca style doesn't feel forced on Lyttle by some record company executive; it really seems like it comes from his heart. Recording a song at a humble studio in St. Vincent, watching it take Europe and America by storm, and being crowned the new king of the bedroom must have been a whirlwind. Who can blame the singer for going with what he knows? A little less formula next time would be nice but Lyttle has a voice that can make paint and undergarments peel off, plus an instant classic with 'Turn Me On.' Not a bad start to a career -- not bad at all.